Thursday, January 31, 2013
Gun Control
“Jimmy, Jimmy, oh Jimmy Mack, when are you comin’ back? Oh, Jimmy…”
Martha & the Vandellas
Jimmy Mack, our infantry squad leader, was a short, heavy-set, black guy with a baby-face, and absolutely no charm. Jimmy Mack was a corporal and a lifer bucking for his third stripe before he rotated to Nam. We were a hash-smoking, beer-drinking, slacker outfit enjoying easy German duty, and resented the ambition that got worked out on our time. No one had been fragged in Germany, but Jimmy Mack was a prime candidate.
We were in Hohenfels doing our winter field maneuvers, and were out on a live-fire exercise. Our squad was working its way through a wooded area, on the look-out for silhouettes to blow to smithereens. Jimmy didn’t have us in control, and we were moving around willy-nilly, squeezing off rounds as the spirit took us. I was in the middle of the squad, on my knees, rifle to shoulder, trying to sight through the other guys, when, lo-and-behold, there was Jimmy Mack not ten feet in front of me, right in my line of fire, and I had a bead on the back of his little, lifer head.
Oh, those relativity blues as time stretched out, and I ran through all the reasons why Jimmy should or shouldn't get a one way ticket to the resurrection.
I eased my finger off the trigger.
I committed no act of murder.
Jimmy Mack lived another day.
A couple of months later, after Corporal Jimmy Mack got his much wished for transfer to Nam, word got back to us that Sergeant Jimmy Mack was no longer of this world. I guess he had a ticket - I drew it, and passed, but it got cashed in anyway.
JIMMY MACK
Martha & the Vandellas
Bonus Track: This is My Rifle
Tuesday, January 15, 2013
Dorothy and the Fawn
I've been tinkering with this since 2009 when I first saw the story in the Albuquerque Journal at Casa Bienvenu.
I was just as shocked as many other people, including the news aggregators must have been because the story hit all the wires.
My heart went out to Dorothy. The fawn was collateral damage in Dorothy's life, and I didn't wonder about the killing nearly as much as I did about Dorothy, and the media notoriety.
DOROTHY AND THE FAWN
EUCLID, Ohio (AP) — An Ohio woman who found a fawn in her flower garden has been accused of beating it to death with a shovel.
Seventy-five-year-old Dorothy Richardson is charged in a warrant with animal cruelty at her Euclid home near the Cleveland Metroparks Euclid Creek Reservation, a wooded park where deer, foxes and other wildlife roam.
---Cleveland Plain Dealer
A GOOGLE search for Dorothy Richardson Euclid Ohio yields about 32,700 results in 0.24 seconds.
i.
Old Dorothy, quiet as wildlife, steps across her hardwood kitchen floor and out into her backyard garden. She stands still and feels the morning sun on her arms and face.
A fawn, curled around itself in the tall grass, lifts its head, twitches its ears, and listens.
Songbirds, sound of the Interstate in the near distance.
The fawn, only a little less shaky than the night before, comes to its feet.
Old Dorothy and the fawn eye one another.
Time as thick and slow as humidity. Dorothy raises her hands and claps - twice. The sound barely moves through the air.
The fawn stands still, fast heart beating faster, and sniffs the air.
Old Dorothy, old heart beating harder, backs up to her house, and takes up the shovel leaning against the wall.
So many years ago, when Dorothy was a young bride, there was much more wildlife in the area: rodents, chipmunk, squirrel, raccoon; a wildcat once, and once a bear; and deer, of course, always deer. Deer were the worst and hardest to keep out. Dorothy begged her husband to fence the yard, and though he liked the idea of the wild passing through he relented. The fence has stood for fifty years, and though it has never kept the climbers out nothing as big as this fawn had entered.
Old Dorothy scans the fence. Her eye stops at a spot where a slat is missing; one slat, just large enough for the fawn to have squeezed through.
The dogs start up.
They had chased the fawn into the yard the night before and have returned to the scent.
The fawn, the dogs, the missing slat, the morning sun, the memories of other summers are too much for Old Dorothy. She bows her head, closes her eyes, and barely holds herself up, slumping against the shovel.
The fawn senses Dorothy's near absence, steps up to her, and brushes her hand with its cool nose.
The touch snaps her awake. She puts all her strength into the shovel.
Banshees
Screaming
blood.
ii.
From a witness statement:
I could overhear Dorothy telling my neighbor how she killed a baby deer dead the morning before.
...the fawn was basically screaming.
And as she was beating it, she was asking it if it was dead yet.
iii.
Bruce Weigl, German poet, writes:
Anything murdered makes a horrible cry.
iv.
WOMAN BEATS BAMBI TO DEATH WITH SHOVEL
-----Frank James, National Public Radio
v.
Dorothy, Dorothy
Alone in this world
Washed in the blood
Made the fool by NPR
Jesus come save us
Come down from your heaven
Come into the garden
Comfort your daughter
Come rescue poor Dorothy
from the deed she has done.
Dorothy catches her breath, stares at the small death in front of her.
Flies and bees dance around
the fawn's unblinking eye
- the police knock at her door.
vi.
It’s a big rat. He was in her flower-bed. She wasn’t in his flower-bed.
-----George Forbes, President, Cleveland NAACP
vii.
"When I was nursing my second baby
My husband found a day-old fawn hid in a fern-brake
And brought it; I put its mouth to the breast
Rather than let it starve, I had milk enough for three babies.
Hey how it sucked, the little nuzzler,
Digging its little hoofs like quills into my stomach.
I had more joy from that than from the others."
-----Fawn's Foster Mother
Robinson Jeffers
viii.
I killed it. I'd kill it again.
-----Dorothy Richardson
DOROTHY AT NINETY-FIVE
Old Dorothy
blind as a bat
and crippled
with arthritis
is wheeled
into her spring time
garden gone to seed
and seed
and seed
again
and shivers
as she remembers
some twenty years
past
Dark eyes
sweet & wild breath
fast heart beating faster
and the tilt
of earth
as terror
and blood
touch one another.
Old Dorothy
sighs and thinks
that we're all guilty
of something;
stories never
tell the whole truth;
and gardens
always
always
go to seed.
Old Dorothy
unclenches her hands
and feels the sun
rest upon her
one last time.
THE END
I was just as shocked as many other people, including the news aggregators must have been because the story hit all the wires.
My heart went out to Dorothy. The fawn was collateral damage in Dorothy's life, and I didn't wonder about the killing nearly as much as I did about Dorothy, and the media notoriety.
DOROTHY AND THE FAWN
EUCLID, Ohio (AP) — An Ohio woman who found a fawn in her flower garden has been accused of beating it to death with a shovel.
Seventy-five-year-old Dorothy Richardson is charged in a warrant with animal cruelty at her Euclid home near the Cleveland Metroparks Euclid Creek Reservation, a wooded park where deer, foxes and other wildlife roam.
---Cleveland Plain Dealer
A GOOGLE search for Dorothy Richardson Euclid Ohio yields about 32,700 results in 0.24 seconds.
i.
Old Dorothy, quiet as wildlife, steps across her hardwood kitchen floor and out into her backyard garden. She stands still and feels the morning sun on her arms and face.
A fawn, curled around itself in the tall grass, lifts its head, twitches its ears, and listens.
Songbirds, sound of the Interstate in the near distance.
The fawn, only a little less shaky than the night before, comes to its feet.
Old Dorothy and the fawn eye one another.
Time as thick and slow as humidity. Dorothy raises her hands and claps - twice. The sound barely moves through the air.
The fawn stands still, fast heart beating faster, and sniffs the air.
Old Dorothy, old heart beating harder, backs up to her house, and takes up the shovel leaning against the wall.
So many years ago, when Dorothy was a young bride, there was much more wildlife in the area: rodents, chipmunk, squirrel, raccoon; a wildcat once, and once a bear; and deer, of course, always deer. Deer were the worst and hardest to keep out. Dorothy begged her husband to fence the yard, and though he liked the idea of the wild passing through he relented. The fence has stood for fifty years, and though it has never kept the climbers out nothing as big as this fawn had entered.
Old Dorothy scans the fence. Her eye stops at a spot where a slat is missing; one slat, just large enough for the fawn to have squeezed through.
The dogs start up.
They had chased the fawn into the yard the night before and have returned to the scent.
The fawn, the dogs, the missing slat, the morning sun, the memories of other summers are too much for Old Dorothy. She bows her head, closes her eyes, and barely holds herself up, slumping against the shovel.
The fawn senses Dorothy's near absence, steps up to her, and brushes her hand with its cool nose.
The touch snaps her awake. She puts all her strength into the shovel.
Banshees
Screaming
blood.
ii.
From a witness statement:
I could overhear Dorothy telling my neighbor how she killed a baby deer dead the morning before.
...the fawn was basically screaming.
And as she was beating it, she was asking it if it was dead yet.
iii.
Bruce Weigl, German poet, writes:
Anything murdered makes a horrible cry.
iv.
WOMAN BEATS BAMBI TO DEATH WITH SHOVEL
-----Frank James, National Public Radio
v.
Dorothy, Dorothy
Alone in this world
Washed in the blood
Made the fool by NPR
Jesus come save us
Come down from your heaven
Come into the garden
Comfort your daughter
Come rescue poor Dorothy
from the deed she has done.
Dorothy catches her breath, stares at the small death in front of her.
Flies and bees dance around
the fawn's unblinking eye
- the police knock at her door.
vi.
It’s a big rat. He was in her flower-bed. She wasn’t in his flower-bed.
-----George Forbes, President, Cleveland NAACP
vii.
"When I was nursing my second baby
My husband found a day-old fawn hid in a fern-brake
And brought it; I put its mouth to the breast
Rather than let it starve, I had milk enough for three babies.
Hey how it sucked, the little nuzzler,
Digging its little hoofs like quills into my stomach.
I had more joy from that than from the others."
-----Fawn's Foster Mother
Robinson Jeffers
viii.
I killed it. I'd kill it again.
-----Dorothy Richardson
DOROTHY AT NINETY-FIVE
Old Dorothy
blind as a bat
and crippled
with arthritis
is wheeled
into her spring time
garden gone to seed
and seed
and seed
again
and shivers
as she remembers
some twenty years
past
Dark eyes
sweet & wild breath
fast heart beating faster
and the tilt
of earth
as terror
and blood
touch one another.
Old Dorothy
sighs and thinks
that we're all guilty
of something;
stories never
tell the whole truth;
and gardens
always
always
go to seed.
Old Dorothy
unclenches her hands
and feels the sun
rest upon her
one last time.
THE END
Saturday, October 27, 2012
Patron Snakes
We are a bible nation. History, literature, politics for better and worse steeped in the good book. Amazing how white Europeans adopted a dark Palestinian, and brought him on over to the New World.
Blame it on the Greeks.
Just for the record: "wine dark sea," Homer, of course. "…and they shall take up serpents," Mark 16:18. Of which more later.
I learned about the sound of snakes breathing on NPR. An intrepid woman traveler woke to the sound in her ear.
PATRON SNAKES
i.
Here's the sound
of a snake
breathing
phhhh
no voice
just breath
phhhh
Teeth and lips and breath
try it
phhhh
A serpent hangs from a branch
and strains toward Eve
phhhh
she freezes at the sound
thought follows
the original is originated
and we
are cursed
until blood is shed for us
Or so the story goes.
ii.
Snake
crawls
through
time
comes
to
America…
iii.
Europeans,
white - what else,
pure of heart and miserable
bounding
over the wine dark
Clutching,
in mind if not heart,
myths
and a dark skinned God
encounter
Hallowed be thy name
Massasauga
Mohave
Blacktail
Black Snapper
Great Adder
Diamond Back
Sidewinder
and they shall take up serpents
breath hiss and rattle.
iv.
John Billington
a catholic - a "stranger" - with his cross-hung god
came over with family
on the boat Mayflower
along with the "separatists,"
and their invisible deity.
John's son found the company's cache of powder
tried to blow the Mayflower out of the water
his solitary plot fizzled
but young Billington
never saw another
solitary moment.
A few years later:
John Billington the senior, hot tempered, shot John Newcomen - a new comer
Shot him in the woods
Shot him dead
It was the colony's first murder.
John Billington hanged for his crime
it was the colony's first hanging.
He was a "troublemaking murderer, a knave, and a scoundrel,"
or so said the Governor
"he was beloved of many,"
said his neighbor.
Pffff…
Eleanor Billington, John's sad, hot tempered wife
loudly and publicly slandered a neighbor
and was locked in the stocks
and whipped.
Dorcas Billington,
age 22,
their hot blooded daughter,
fornicated
was found out
-how?-
and shamefully whipped.
Pity the poor Billingtons -
breath hiss and rattle.
v.
This is the Story of John Billington
John Billington and his family dear
Came over here on the Mayflower
During the voyage his fine young son
Tried to blow that boat to kingdom come.
John Billington in a white hot rage
Let bloody murder out of its cage
Shot Newcomen in the woods so drear
Was hanged for the crime and died in fear.
John Billington had a wife named El
With a mouth as rank as the pits of hell
She was locked in the stocks and whipped one morn
For fouling the air with contempt and scorn.
John Billington's daughter, aged twenty-two
Had no use for church or prayer or school
But would lift her skirt and play with the boys
And one day was whipped for her sordid joys.
Let's drink to the mem'ry of John Billington
His wife, and his daughter, and his fine young son
Let's drink to the town-folk righteous and pure
And drink to the ship that brought them here.
Here's the Troubadour's take on the Mayflower.
Bob Dylan's 115th Dream
Wednesday, October 17, 2012
The Church of the Blood
H. Rap Brown said, "Violence is as American as apple pie," and was immediately pilloried for speaking the truth.
You can't spend much time thinking about American history without wandering into a cemetery of sex, violence, religion, and money. Sometimes all under the same stone.
Murder ballads hit our shores in the mid-1700's. They almost always have to do with abduction, rape, murder, and retribution, but they also cover incest, suicide, infanticide, etc. Gangsta' rap has very little on these old, Scots-Irish ballads. A huge trove of them got lodged in the backwoods of Appalachia and were copied and catalogued by musicologist Francis Child.
I've wanted to try my hand at a murder ballad for some time. This started coming as I was driving up I-5. Soon as I got off I started scribbling it down at stoplights. Anyone wants to write the music, just let me know.
Song w/o Music 1
THE CHURCH OF THE BLOOD
Preacher comes 'round the back door
Just to see what he can find
Thinks he might spot some sinner
Hanging wash up on the line
CHORUS:
He's from the church of what you got
The church of what he can get
He's from the church of the blood of the dollar bill
And you're the prettiest thing he ever has met
She's there just like he wanted
Cotton dress all clingy and fine
She turns around, and when she smiles
He says, "Little lamb, you're mine."
Puts his big hand on her shoulder
Looks her straight in the eye
Says follow me I know the way
To a love that'll never die
CHORUS:
He's from the church of what you got
The church of what he can get
He's from the church of the blood of the dollar bill
And you're the prettiest thing he ever has met
He lays her down in the tall grass
By the tree up on the hill
Treats her rough and beats her up
And then he takes his fill
She struggles and it's a sad story
She dies in his hands that day
A cold wind comes down turns his head around
And he knows that he's gonna' pay
CHORUS:
He's from the church of what you got
The church of what he can get
He's from the church of the blood of the dollar bill
And you're the prettiest thing he ever has met
The hunters found her body
They buried her where she lay
Was her grandpap's land and her tombstone stands
Right there to this very day
And the god damned preacher he hanged himself
From a branch on that same oak tree
They cut him down, put him in the ground
In a place far away from the scene
People say you can see his shadow
Fallin' 'cross the white of her stone
Others say it's a trick of the moonlight
But you better not go to that grave alone.
CHORUS:
He's from the church of what you got
The church of what he can get
He's from the church of the blood of the dollar bill
And you're the prettiest thing he ever has met.
RW
10/17
photo by ed snyder: the cemetery traveler
Saturday, October 6, 2012
Greetings and Stagger Lee
Over the past few years I've been practicing narrative poems. I've finished long pieces on Demeter and Persephone (This Drifting World,) the American southwest (The Multidimensional Adventures of Jesus, Coyote, and Crow, a.k.a. Los Viejos,) and the Christian nativity stories.
I've been wondering what's next, then Dylan's latest cd came out. It quotes from so many sources it would be a fool's game to try and name them all, but what Dylan always comes back to, and quotes the best is the deep world of Americana. What Griel Marcus has called, "that old, weird America."
And then the other day I was thinking about my Uncle Barney and how he taught us kids how to read the racing form, shoot pool, play rummy, and shoot craps. I got to thinking about what a fast action activity craps is - and then I got to thinking about Stagger Lee and Billy D'Lyon.
I also got to thinking that my next project would be a series of American poems, and this is the first one that came to me:
SNAKE EYES
No game quick as craps
dollars down
dice tumble
points made
or not but
money gets grabbed.
Players best be
sober and sharp
that night
under a yellow-moon
street light
Billy D'Lyon was
Stagger Lee
was not
and when they were done
Billy adjourned to the bar room
with a hand full of greenbacks
and Stagger Lee's brand new Stetson hat.
Two things faster than craps -
crazy and bullets.
Stagger Lee calls, "Billy, yo…"
Billy
hands up palms out
says, "Oh no…"
smokeless .44
Stagger Lee shoots poor Billy down.
Billy clutches at air
slams
against the high gloss bar
slumps
to the dirt black
scuffed black
heel gouged
bar room floor
neck on the rail
hat pushed off his head
eyes stare straight ahead
glassy and dead.
Stagger Lee drops his .44
retrieves his Stetson
dusts its brim
walks out those swinging doors
and steps right up, ladies and gents,
to the scaffold gallows
like it was church
on Sunday morning.
Stagger Lee
all snake-eyes
looks down at his boots
and as the hangman takes his hat
thinks -
ain't nothin' finer than a Stetson
ain't nothin' colder than this cold wind blowin'
Ain't nothin' slower
than this goddamn trap door...
(There are many versions of this song, here's the one I first heard as a high school kid.)
I've been wondering what's next, then Dylan's latest cd came out. It quotes from so many sources it would be a fool's game to try and name them all, but what Dylan always comes back to, and quotes the best is the deep world of Americana. What Griel Marcus has called, "that old, weird America."
And then the other day I was thinking about my Uncle Barney and how he taught us kids how to read the racing form, shoot pool, play rummy, and shoot craps. I got to thinking about what a fast action activity craps is - and then I got to thinking about Stagger Lee and Billy D'Lyon.
I also got to thinking that my next project would be a series of American poems, and this is the first one that came to me:
SNAKE EYES
No game quick as craps
dollars down
dice tumble
points made
or not but
money gets grabbed.
Players best be
sober and sharp
that night
under a yellow-moon
street light
Billy D'Lyon was
Stagger Lee
was not
and when they were done
Billy adjourned to the bar room
with a hand full of greenbacks
and Stagger Lee's brand new Stetson hat.
Two things faster than craps -
crazy and bullets.
Stagger Lee calls, "Billy, yo…"
Billy
hands up palms out
says, "Oh no…"
smokeless .44
Stagger Lee shoots poor Billy down.
Billy clutches at air
slams
against the high gloss bar
slumps
to the dirt black
scuffed black
heel gouged
bar room floor
neck on the rail
hat pushed off his head
eyes stare straight ahead
glassy and dead.
Stagger Lee drops his .44
retrieves his Stetson
dusts its brim
walks out those swinging doors
and steps right up, ladies and gents,
to the scaffold gallows
like it was church
on Sunday morning.
Stagger Lee
all snake-eyes
looks down at his boots
and as the hangman takes his hat
thinks -
ain't nothin' finer than a Stetson
ain't nothin' colder than this cold wind blowin'
Ain't nothin' slower
than this goddamn trap door...
(There are many versions of this song, here's the one I first heard as a high school kid.)
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